摘要
在共时性中,母题与主题在不同区域的艺术中重复出现(多由传播引起)。其中,有些母题与主题既有相似也有区别。故而,在辨别共时性的母题是否为同一原型并是否指向相同主题时,需要纳入"认知场域"中考察母题类别以及母题喻指或指向,由此对主题进行判断。这一方式关系到正确揭橥中国传统艺术的内涵与叙事意图,以及揭示在"共时性"的横向传播中传统艺术的形而下与形而上的建构活力。同时,探讨共时性认知场域中的艺术母题类别与主题判断的研究,显示了母题学与主题学的"共时场域"理论的价值和意义。
Synchronically,motif and theme appear repeatedly in different areas of arts(because of dissemination).Some motifs and themes are different with similarities.Therefore,it is necessary to appeal to"cognition field"to investigate the genre of motif and the metaphor of motif so as to judge the theme,in order to analyze whether synchronic motifs are of the same genre and theme.This relation relates to the correct understanding of the connotation and narrative implications of Chinese traditional arts,as well as the validity in the construction of traditional arts at the metaphysical and practical levels.Meanwhile,the discussion of the genre of artistic motif and the judgement of theme in the synchronic cognition field manifest the values and meanings of the theory of"synchronic field"in the studies of motif and theme.
作者
赫云
He Yun(the School of Arts,Southeast University,Nanjing,Jiangsu,211189)
出处
《民族艺术研究》
CSSCI
2021年第4期62-70,共9页
Ethnic Art Studies
基金
2020年度教育部人文社科课题“中国传统艺术母题学与主题学理论和方法建构”(项目批准号:2020YJA760022)的阶段性研究成果。
关键词
共时场域
母题类别
主题判断
synchronic field
genre of motif
judgement of theme
