摘要
纺织艺术与服装等织物媒介是人类审美意念的重要体现,而色彩视觉具有符号的属性,是视觉文化艺术中的重要寓意指示标。文章通过视觉文化的理论分析,将纺织艺术中的色彩视觉作为研究主体并结合视觉文化学理的相关属性,试图探究色彩在纺织艺术中的新认知,寻求新突破。文章主要通过费迪南德·德·索绪尔符号学作为套索工具,进一步深入研讨了纺织艺术中的色彩语言、图标索引和符号的蕴意结构规律,推演出色彩的美学蕴涵:它作为一种颜色术语,并不是孤立的、凭空出现的,而是对"象"的表述,而后通过人们的想象思维后扩展到意象,逐渐升华。所以色彩也具有象征寓意的阐释和符号叙事的内涵。
Textile art and clothing are essential expressions of human aesthetic ideas,and color vision is an essential symbolic indicator of visual culture and art.This paper seeks to explore the new perception of color in textile art through a theoretical analysis of visual culture,taking color vision in textile art as the main subject of research and combining it with the relevant attributes of visual culture theory.Using Ferdinand de Saussure's semiotics as a lassoing tool,the author further examines the language of color in textile art,the index of icons and the structure of symbolic meanings,and deduces the aesthetic connotation of color:as a color term,it does not appear in isolation or out of nowhere,but is a representation of the'image',which is gradually sublimated through people's imaginative thinking and then expanded into imagery.This is why color also has the connotation of symbolic interpretation and symbolic narrative.
作者
朱丹彤
Zhu Dantong(Chelsea College of Arts in London-University of the Arts London,London,SW1P 4JU,England)
关键词
色彩符号语言
视觉文化
纺织艺术
符号学
color symbol language
visual culture
textile art
semiotics Internet:www.artdesign.org.cn
