摘要
以壮族文化陈列和铜鼓文化陈列为例,广西民族博物馆借助"民族器物"书写广西世居族群的族群文化,为"广西世居民族文化"表述提供了博物馆叙事的范本。凭借民族器物的选择性陈列和重新编码,广西民族博物馆通过族群文化展示系统将民族平等、中华民族多元一体格局乃至跨境族群文化圈纳入到器物民族志式的族群表述框架之下,从而为广西多元族群及其文化的表述开启了新的面向。
Taking the Zhuang cultural display and the bronze drum cultural display as examples,the Anthropology Museum Of Guangxi uses"national artifacts"to write the ethnic culture of Guangxi’s aboriginal ethnic groups and provides a model for museum narratives for the expression of"Guangxi’s residential ethnic culture".Relying on the selective display and recoding of ethnic artifacts,the Anthropology Museum Of Guangxi brings ethnic equality,the pluralistic integration of the Chinese nation,and even the cross-border ethnic-cultural circle into the framework of the ethnographic representation of artifacts through the ethnic culture display system.The expression of Guangxi’s diverse ethnic groups and their culture opened a new dimension.
作者
覃健
徐薇婷
Qin Jian;Xu Weiting
出处
《广西民族研究》
CSSCI
北大核心
2021年第3期105-113,共9页
GUANGXI ETHNIC STUDIES
基金
安徽省社科规划项目“人口流动视域下长三角地区民族交往交流交融研究”(AHSKF2020D20)。
关键词
民族博物馆
博物馆叙事
器物民族志
族群表述
Anthropology Museum
museum narrative
ethnography of artifacts
ethnic expression
