摘要
新中国成立70余年来,劳动模范作为中国独有的身份与形象,不间断地出现在银幕上,成为中国电影中的典型形象之一。自新中国成立后,劳动模范形象在银幕中的呈现并不是单质的、统一的,而是表现出明显的阶段性分期特征,这既与不同时期的时代母题和政治要求有关,又关乎创作者的心态。具体来讲,“十七年”时期电影中的劳动模范形象是一种集体奋进意识和“竞赛精神”的典型代表;新时期伊始,在市场化浪潮的冲击下,银幕中的劳动模范在日常生活中凸显出社交受阻、身份位移等现象;如今,劳动模范形象经历了概念拓展与价值升维,不仅创作手法多元,形象也趋于主流化,并以一种“情感真实”的面貌与观众建立起交流与对话的空间。
For more than 70 years since the founding of the People’s Republic of China,model workers,as a kind of national political identity,have continuously appeared on the movie screen and become one of the typical images in Chinese movies.Interestingly,since the founding of the People’s Republic of China,the representation of model workers on the screen is not simple or unified,but shows obvious periodical characteristics.Undoubtedly,this is not only related to the motif and political requirements of different periods,but also related to the creative mentality of the creators.Specifically speaking,the image of model workers in the films of“Seventeen Years”period is a typical representative of collective consciousness and“spirit of competition”.At the beginning of the new era,under the impact of the wave of marketization,the model workers in the screen have highlighted the phenomenon of social obstruction and identity displacement in daily life.Nowadays,the image of model workers has experienced concept expansion and value enhancement.Not only the creation techniques are more diversified,but also the image is more mainstream.In addition,it has established a space for communication and dialogue with more audiences in an“emotional reality”appearance.
作者
王飞翔
WANG Feixiang(Shanghai Film Academy,Shanghai University,Shanghai 200040,China)
出处
《重庆邮电大学学报（社会科学版）》
2021年第4期147-154,共8页
Journal of Chongqing University of Posts and Telecommunications(Social Science Edition)
基金
河南省教育厅人文社会科学研究项目资助(2021-ZDJH-023)。
