摘要
海上丝绸之路的畅通与伊斯兰世界对瓷器需求的增加,使9世纪内沙布尔与长沙之间的陶瓷器贸易更趋繁荣。贸易畅通促使双方的陶瓷器艺术风格互鉴,内沙布尔陶器在图案设计上虽延续了波斯的艺术风格,但在装饰技术和绘图手法方面则受到中国长沙瓷器的影响;长沙瓷器在基于中国传统制瓷技艺的前提下,器型与纹饰亦体现出异域风格。两城陶瓷器中所呈现的不同文化的融合,是丝路城市不同文明间相互交往的见证。
With the opening of the maritime Silk Road and the increasing demand for porcelain in the Islamic world,the ceramic trade between Changsha and Nishapur became more and more prosperous in the 9th century.The smooth trade promotes the mutual learning of the artistic styles of the ceramics of both sides.Although the pattern design of the Nishapur pottery continues the Persian artistic style,it is influenced by the Chinese Changsha porcelain in terms of decoration technology and drawing technique.On the premise of the Chinese traditional porcelain making technology,the types and patterns of the Changsha porcelain also reflect the foreign style.The integration of different cultures in the ceramics of the two cities is the witness of the interaction between different civilizations in the Silk Road cities.
作者
车效梅
王欣
Che Xiaomei;Wang Xin
出处
《中东研究》
2020年第2期1-13,248,共14页
Middle East Studies
基金
国家社科基金重大项目“丝绸之路城市史研究(多卷本)”(项目批准号:18ZDA213)系列成果之一。
关键词
陶瓷
内沙布尔
长沙窑
丝绸之路
Ceramics
Nishapur
Changsha Kiln
The Silk Road
