摘要
空间美学绝非仅限于审美和文艺领域的知识资源,更是与广泛的社会学、政治学、意识形态等理论进行融合,成为独特的“美学意识形态”,能够有效地参与文化反思和资本主义技术批判活动。现代空间本体的确立与马克思主义空间哲学息息相关,从经典马克思主义对资本空间的理论发掘,到新马克思主义对主体异化生存状况的批判,都凸显出浓厚的空间批判特质。在空间文化批判的进程中,空间自身的审美感性元素与审美符号形式逐步凸显,并将地缘政治学、空间压缩、空间流动等因素纳入美学领域,塑造出空间美学的流动性、公共性话语形态。空间美学立足于“微观革命论”和“文化诗学论”双重视角展开后现代文化批判进程,推进后现代美学话语的不断释放。
Space aesthetics is by no means limited to the knowledge resources in the aesthetic and literary field,but also integrated with a wide range of sociological,political and ideological theories.It has become distinct aesthetic ideology and can effectively participate in cultural reflections and capitalist technology critical activity.The establishment of modern space noumenon is closely related to Marxist space philosophy.From the theoretical exploration of capital space in classic Marxism to the criticism of the existence of alienation of the subject by neo-Marxism,it highlights the strong characteristics of space criticism.In the process of space cultural criticism,the aesthetic perceptual element and aesthetic symbolic form of space itself are gradually highlighted,mould the fluid public discourse form of space aesthetics.Factors such as geopolitics,spatial compression and spatial flow are brought into the aesthetic field.Based on the dual perspectives of micro-revolution theory and cultural poetics,space aesthetics embarks on the process of post-modern cultural criticism,and promotes the continuous release of postmodern aesthetic discourse.
出处
《云南社会科学》
CSSCI
北大核心
2021年第4期168-177,188,共11页
Social Sciences in Yunnan
基金
国家社会科学基金重大项目“马克思主义经典文艺思想中国化当代化研究”(项目号:17ZDA269)
教育部人文社科研究青年基金项目“‘微空间’与当代文学理论知识生产研究”(项目号:19YJCZH124)
中国博士后科学基金特别资助项目(项目号:2017T100527)的阶段性成果。
