摘要
学界普遍认为宋代《诗经》学对汉唐《诗经》学的革新中,《诗》说的富含文学性是显著特点与亮点。代言、泛言、设言与托言是宋人常用的解诗词汇,大量文学批评术语存在于宋人《诗》说中,体现了宋人对《诗经》的叙事结构、情感意蕴、虚构想象等的关注与挖掘,这明显不同于经学与史学的解诗思路。具有革新性质的文学性解诗因素,至晚在《毛诗正义》中已出现,说明宋人《诗》说对汉唐是传承而非割裂。但囿于时代认知水平的局限,宋人在应时而变的革新思想与传统的经学思想冲突中,文学性的《诗》说中仍存在诸多矛盾。
It is generally believed in the academic circles that the literary nature is a prominent feature in the innovation of the theory of Shi Jing(the Book of Songs)in the Song Dynasty.Endorsement(代言),Generalization(泛言),Imagination(设言)and Hypothesis(托言)are the commonly used explanatory words in interpreting poetry,and a great deal of terms in literary criticism exist in the texts of Song Dynasty,which reflects the scholars’attention to the literariness of Shi Jing,such as the narrative structure,emotional implication and fictional imagination,which is obviously different from the interpretation from the perspectives of Confucian classics and historiography.These innovative literary factors appeared in Maoshi Zhengyi(《毛诗正义》)at the latest,which indicated that the theory of the Song Dynasty is inherited rather than separated from the Han and Tang Dynasties.However,due to the limitation of the cognitive level of the times,and with the conflict between the innovative ideas and the traditional Confucian classics,there are still many contradictions in these views that need to be improved.
作者
孙玉安
SUN Yu’an(School of Chinese Language and Literature,Hebei Normal University,Shijiazhuang,Hebei 050024,China)
出处
《河北师范大学学报（哲学社会科学版）》
2021年第4期95-103,共9页
Journal of Hebei Normal University(Philosophy and Social Sciences)
基金
河北省教育厅课题青年基金项目“王质《诗总闻》对汉唐《诗经》学的传承研究”(项目编号:SQ2021205)。
关键词
宋代《诗经》学
代言
泛言
设言
托言
Research of Shi Jing in Song Dynasty
Endorsement(代言)
Generalization(泛言)
Imagination(设言)
Hypothesis(托言)
