摘要
当代公共艺术在全球各大城市飞速发展,大众对公共艺术的需求也越来越提升到一个新的层次。陶瓷作为的一种重要材料在20世纪80年代逐渐大步走进公共艺术的建构,公共艺术随着陶瓷较深入的应用迎来了发展的新阶段。本文试图通过对一些著名陶瓷公共艺术作品进行分析,试图从个性中找寻共性,挖掘这些作品所具有美学表达语言结构,并着重于工艺的美学特征和相关哲学意义研究。从新的角度引发现代陶瓷介入公共艺术的态势新思考,从而带动陶瓷材料在未来公共艺术中更大的创作可能性,发扬陶瓷这朵土地生长出来的永久之花,自然之花与人类与环境和谐生长的魅力。
With the rapid development of contemporary public art in the world’s major cities,the public demand for public art is also rising to a new level.As an important material,ceramics gradually entered the construction of public art in the 1980s.With the further application of ceramics,public art ushered in a new stage of development.Through the analysis of some famous ceramic public art works,this paper tries to find the commonness from the individuality,excavate the aesthetic expression language structure of these works,and focuses on the aesthetic characteristics of the craft and the related philosophical significance.From a new point of view,it will lead to a new thinking of the situation of modern ceramics involved in public art,so as to promote the possibility of ceramic materials in the future public art,and carry forward the charm of ceramics,which is the permanent flower of the land,the flower of nature and the harmonious growth of human and environment.
作者
陈建生
CHEN Jiansheng(Shanghai Institute technology,Shanghai 200233,China)
出处
《中国陶瓷》
CAS
CSCD
北大核心
2021年第6期114-118,共5页
China Ceramics
关键词
现代陶瓷
公共艺术
新思考
Modern Ceramic
Public art
New thinking
