摘要
意大利电影作曲家达里奥·马利亚内里凭借一项奥斯卡获奖、两项提名而在当代好莱坞乃至国际电影乐坛声名鹊起,备受关注。他在电影作曲中倾注炽热情感和全部心血,契合而不是游离电影人物和情节,回归艺术的本真而不是迷恋技术的复制,在配器上鲜明地赋予乐器之王钢琴以主导的艺术地位和美学意蕴,在造型上出神入化地运用音响音乐化技术以达成电影声音一体化,在乐章结构上配合导演率先将“序曲”这一纯音乐体裁运用在电影音乐创作中。这种博采众长而又不断向前推进的艺术实践和探索,不仅仅体现了达里奥剧情片电影配乐的音乐形式上的变化,还有音乐主题上的开拓,更是电影音乐创作理念上的革新和创举。
Obtaining one Oscar trophy and two nominations,Dario Marianelli,an Italian musician,is highly esteemed by Hollywood and international film festival jury.His enthusiasm within the music fully integrated to figures and circumstances of the films.He is devoted to the nature of art not the techniques,entrusted expression of aesthetics and music theme to piano music.Dario creatively treated sound as a part of music.Complying with film concept,he even explored to utilize overture,a pure music style,into film music composition.These adventures are not only the change of music styling and exploration of music theme,but also an innovation of music composition.
作者
陆佳敏
LU Jia-min(Shanghai Theatre Academy Dance Academy,Shanghai 200336)
出处
《艺术百家》
CSSCI
北大核心
2021年第3期167-172,共6页
Hundred Schools In Arts
关键词
电影音乐
钢琴主导
音响音乐化
序曲
Film music
Dominance of piano
Sound musicalization
Overture
