摘要
以《全唐诗》及《全唐诗补编》为版本依据,考证了唐诗自注的兴衰,认为诗歌自注在唐代经历了持续完整的发展过程。初唐自注诗多采用一诗一注,这成为唐诗自注的基本注释方式。背景、体式、意义三类主要的注释类型在初唐诗歌自注中亦已齐备。盛唐时期,一诗多注、以他人诗文为自注的新现象陆续产生,仿体自注形成小高峰。中唐时期,出现了自注次韵、以注释典、以己诗注己诗的系列创变。晚唐诗歌自注在渐趋衰滞的同时,产生了“两减一增”的变化。
Based on the versions of Complete Tang Poems and Complete Tang Poems Supplements,this article researches the rise and fall of Tang poetry self-annotations,and believes that it underwent a continuous and complete development process in the Tang Dynasty.The self-annotated poems in the early Tang Dynasty mostly adopted one poem and one annotation which became the basic annotation method for self-annotations of Tang poems,and the three main types of annotations,background,style and meaning are available.In the glorious age of Tang Dynasty,a new phenomenon of one poem with multiple annotations and self-annotations with others'poems gradually emerged,and a small peak formed in the self-annotations of imitative style.During the Mid-Tang Dynasty,there appeared a series of innovations in which self-annotations of second rhyme,annotations of allusions,and self-explanatory poems.In the late Tang Dynasty,the self-annotations of poetry produced a change of“two decrements and one increase”while it gradually declining.
作者
魏娜
WEI Na(College of Chinese Language and Literature, Xinjiang Normal University, Urumqi 830017, China)
出处
《沈阳大学学报（社会科学版）》
2021年第3期316-320,共5页
Journal of Shenyang University:Social Science
关键词
唐诗
自注
自注诗人
发展脉络
Tang poetry
self-annotations
self-annotations poet
development path
