摘要
自20世纪以来,随着古典中国形象的破灭,中国文学开始了对中国“国家形象”的不断寻找与重建。这种重建既是危机中的现代中国知识分子对理想中国的审美性想象,同时也是中华文化在遭遇西方文明入侵时,被迫选择新的发展道路。从本质上来看,这是中国文化传承与复兴的内在需求,也是中国社会推进实现现代化的必然结果。
Since the 20th century,with the collapse of the classical Chinese image,Chinese literature began to seek and rebuild the"national image"of China.This kind of reconstruction is not only the aesthetic imagination of the modern Chinese intellectuals to the ideal China in the crisis,but also the development path that the Chinese culture was forced to choose again when confronted with the invasion of western civilization.In essence,this is the inherent demand for the inheritance and rejuvenation of Chinese culture,and the inevitable result of the modernization of Chinese society.
作者
杨华荣
Yang Huarong(School of Arts,Hainan Normal university,Haikou 571158;Research Center of Sino-Japanese War Literature and History in Chongqing,Chongqing Normal University,Chongqing 401331)
出处
《重庆社会科学》
CSSCI
2021年第6期124-135,共12页
Chongqing Social Sciences
基金
国家社会科学基金重大项目“抗战大后方文学史料数据库建设研究”(16ZDA191)。
关键词
文艺批评视野
中国“国家形象”
现代性重塑
Vision of literary criticism
China's"national image"
Reconstruction of modernity
