摘要
《电火光中》是《女神》中尚未引起充分关注的重要诗作。诗人郭沫若在该诗的前两部分通过对米勒画作的创造性解读,以苏武和他的“弃妻”为镜像,表达了他在家国民族观念牵扯缠绕中的困境。他思念他的祖国,但他娶了敌国的女人。当时在日本留学生界盛行着狭隘的民族主义思想,要求有日本女人的留学生就地离婚,郭沫若的爱国资格受到审查和质疑。郭沫若在这一困境中伸张“国境之外,也还有人道,也还有同胞存在!”的理念,以超克当时的民族主义观念。
In the Light of Fire and Electricity is an essential poem in Goddess that has not been paid enough attention to.In the first two parts of the poem,Guo Moruo,a poet,expressed his dilemma in the entanglement of his family,country and national concept by creatively interpreting Miller's paintings and taking Su Wu and his“abandoned wife”as mirror images.He missed his motherland,but he married a woman from an enemy country.At that time,narrow nationalism prevailed in the Japanese student community,requiring students with Japanese women to divorce on the spot.Guo Moruo's patriotic qualification was examined and questioned.In this dilemma,Guo Moruo insisted that“beyond the border,there are also humanity and compatriots!”to overcome the nationalism at that time.
作者
李斌
LI Bin(Guo Moruo Memorial,Chinese Academy of Social Sciences,Beijing,100732)
出处
《成都大学学报（社会科学版）》
2021年第3期94-101,共8页
Journal of Chengdu University (Social Sciences)
基金
2019年度教育部哲学社会科学研究重大课题相关项目“中国现代文学批译史料编年整理与研究”(项目编号:19JZD037)。
关键词
郭沫若
《女神》
《电火光中》
家国民族
Guo Moruo
Goddess
In the Light of Fire and Electricity
family,country and nation
