摘要
杭州人郑旭旦辑的《天籁集》,收录清代杭州流行的歌谣48首。集中歌谣文体特色鲜明:多数是即物起兴的,头两句与后面的歌词毫无联系;虽是日常生活中的场景,却多言外之意;有些歌谣则故意颠覆情理加以叙述。《天籁集》中有近半数歌谣的叙述者是年轻女性,从某种程度上反映了婚姻对女性决定性的影响以及旧家庭的负面形象。
The Collection of Sounds of Nature compiled by Hangzhou native Zheng Xudan contains 48 ballads in Hangzhou in the Qing Dynasty.The stylistic features of these ballads are distinctive as follows:most of the ballads are inspired by things with the first two sentences having nothing to do with the following lyrics;although it is a scene in daily life,it has more implied meanings;some ballads are deliberately subverted to narrate.In addition,nearly half of the ballads are narrated by young females,which to some extent reflects the decisive influence of marriage on women and the negative image of the old family.
作者
陆建德
LU Jian-de(Center for Comparative Literature and Transcultural Studies,Xiamen University,Xiamen 361005,China)
出处
《杭州师范大学学报（社会科学版）》
北大核心
2021年第3期65-73,120,共10页
Journal of Hangzhou Normal University(Humanities and Social Sciences)
关键词
歌谣
《天籁集》
《广天籁集》
郑旭旦
婚姻家庭
女性
ballad
the Collection of Sounds of Nature
the General Collection of Sounds of Nature
Zheng Xudan
marriage and family
female
