摘要
目前言及近代文学与新文学史研究,多以胡适撰写于1922年的《五十年来中国之文学》为开端之作;实际上,这一"开端"可再上溯至1920年罗家伦《近代中国文学思想的变迁》一文。至1930年代中期,阿英和郑振铎自觉使用"晚清"概念,收获《晚清小说史》与《晚清文选》两项标志性成果,并在当时学界与文坛掀起一股"晚清"潮流,意味着"晚清"成为独立的学术史概念和专门研究对象,晚清文学研究正式兴起。追究其动因,在学术史的内在理路上,乃是由于"新文学"史自我书写的确立,此前流行的"近代"概念内部出现裂隙,从学理上驱动了"晚清"之"发现";而1930年代中国民族危亡的时代背景,亦是不可忽略的现实引擎。
Hu Shi’s Chinese Literature in Recent Fifty Years is regarded as the beginning of modern literature studies.In fact,it could be traced back to Luo Jialun’s article Evolution of Modern Chinese Literature in 1920.By the mid-1930 s,A Ying and Zheng Zhenduo consciously used the concept of Late Qing and achieved important results in literature studies of Late Qing which gained great attention.It means that Late Qing has become an independent academic concept.The main reasons for this phenomenon should be the inner logic of the development of academic history and historical reality in the mid-1930 s.
出处
《天津师范大学学报（社会科学版）》
北大核心
2021年第2期120-125,共6页
Journal of Tianjin Normal University(Social Science)
基金
中国社会科学院“青年学者进修项目”
国家留学基金资助。
关键词
罗家伦
郑振铎
阿英
晚清文学研究
Luo Jialun
Zheng Zhenduo
A Ying
literature studies of the late Qing Dynasty
