摘要
作为一部具有"追忆似水年华"意味的自传体小说,《无愁河的浪荡汉子·朱雀城》尽管在艺术形式上算不上完美,但是小说气韵贯通的生命力以及文本真实感依然为当代小说创作提供了宝贵的创作经验。其中,真实作为小说的艺术价值,是通过细节的传神和人物的可信建立起来的。这既需要作家具备心灵的真挚,又需要作家处理文字的耐心。黄永玉之所以能够对湘西生活进行传神的刻画,离不开他"永不枯竭的故乡思维"。在回归故乡"朗照之本源"的过程中,黄永玉呈现出天真的生命状态。在这一生命状态中,黄永玉的创作在趣味上是去伪的,在文体上是自由的,在态度上是谦卑的。作家因此得以唤醒有关人类共有经验的记忆,以一己之心进入对人类生活的洞察之中。而这一境界,从根本上讲,是通过黄永玉"边缘"的人格自觉与创作自觉所达到的。
As an autobiographical novel with the meaning of"recalling past time",the art form of Zhuque City of Wanderer on the Wuchou River is not perfect. However,this work still provides valuable experience for the creation of contemporary novels by its vigorous vitality and the authenticity of the text. As the artistic value of the novel,the truth is constructed by impressive details and vivid characters,which require sincerity from the heart and patience in literary creation. The reason why Huang Yongyu can vividly depict the life in western Hunan is related to his inexhaustible thinking on hometown. In his returning to the origin of hometown,Huang Yongyu presents an innocent state of life where Huang Yongyu’s works is simple in tastes,free in style and humble in the attitude. Therefore,the writer is able to awaken memories of the common human experience and to gain insights into human life.And this state is achieved fundamentally by Huang Yongyu’s consciousness of marginal personality and creation.
作者
陈浩文
CHEN Haowen(College of Literal Arts,Beijing Language and Culture University,Beijing 100083)
出处
《中国文学研究》
CSSCI
北大核心
2021年第2期163-169,共7页
Research of Chinese Literature
关键词
黄永玉
无愁河
边缘
天真
真实
Huang Yongyu
Wuchou River
marginalization
artlessness
authenticity