摘要
无名氏小说的“文化”内涵早在30、40年代的《北极风情画》、《塔里的女人》等通俗小说中得到体现:虽尚无文化构建的伟图,却有意创设了多重文化困境.此外,无名氏以边缘文人的姿态给予了两重的突围策略.重读《北极风情画》考察文化写作路径,为研究无名氏的文化写作史补充了新的当代价值.
As early as in the 1930s and 1940s,the"cultural"connotation of Wumingshi's novels was reflected in the popular novels such as Romance in the Arctic Region and Woman in the Pagoda.Although there is no grand scheme of cultural construction,it intentionally creates multiple cultural plights.In addition,Wumingshi gave two breakthrough strategies as a marginal literati.By rereading Romance in the Arctic Region to explore the path of cultural writing,new contemporary value can be added to the study of Wumingshi's history of cultural writing.
作者
邢志昊
马航飞
XING Zhi-hao;MA Hang-fei(School of Liberal Arts,Nanjing University of Information&Science Technology,Nanjing 210000,China)
出处
《青岛农业大学学报（社会科学版）》
2021年第2期93-97,共5页
Journal of Qingdao Agricultural University(Social Science)
关键词
文化困境
突围策略
《北极风情画》
Cultural Plights
Breakthrough Strategies
Romance in the Arctic Region
