摘要
宋金磁州窑最典型的瓷器是白釉釉下黑花瓷,婴戏图是其中比较流行的装饰纹样之一。“意境”是“象”和“象外的虚空”给人带来的一种虚实结合的审美境界。宋金磁州窑婴戏图是制瓷匠人尊重客观法则创作的艺术形象,蕴含着丰富的气韵和深层次的生命力,其审美意境主要体现在婴戏图形象背后蕴含的儿童天真活泼的生命力、制瓷匠人无穷无尽的创造力及当时人们的精神力。
The most typical porcelain of Cizhou kiln in the Song and Jin Dynasties is the white glaze underglaze black flower porcelain,among which the"Children at play"is one of the most popular decorative patterns."Artistic conception^^is a kind of aesthetic realm of combination of reality and vision brought by“image”and"void outside image".The artistic image created by porcelain makers in Cizhou kiln in Song and Jin Dynasties contains rich charm and deep vitality.Its aesthetic conception is mainly reflected in the innocent vitality of children,the endless creativity of porcelain makers and the spiritual power of people at that time.
作者
刘明玉
LIU Mingyu(Jingdezhen Ceramic Institute,Jingdezhen 333403,Jiangxi,China)
出处
《中国陶瓷工业》
CAS
2021年第2期58-64,共7页
China Ceramic Industry
基金
江西省高校人文社会科学研究青年项目(YS19225)。
关键词
磁州窑婴戏图
气韵
儿童
制瓷匠人
文化
“Children at play”of Cizhou kiln
artistic conception
children
porcelain maker
culture
