摘要
本文以中国近代的社会环境及中国近代设计理论家陈之佛的生平为研究背景,通过个案研究、比较研究、历史研究相结合的研究方法,对陈之佛先生1928年至1962年间发表及出版的文章、演讲稿及专著等文本进行研究。本文将陈之佛文章中对近代中西方图案色彩的批判性观点归纳为因袭固守、仿古守旧、粗制滥造三点。陈之佛对图案色彩的批判性观点是从文化层面出发的对实用、美观的关照,打破了传统审美观念的束缚,推动了中国近代审美观念的变迁。
This paper is based on the life of Zhifo Chen, a theorist of Social environment in Modern China and Modern Chinese design. Through the methods of case study, comparative analysis, and historical research, this paper studies the articles, speeches, and monographs published by Zhifo Chen from 1928 to 1962. In this paper, the critical options of Zhifo Chen on Modern Chinese and Western patterns color are summarized as three viewpoints: blindly following and adhering to the tradition, imitating the old and shoddy. His critical view of pattern color is a practical and beautiful response from a cultural perspective. It broke the shackles of traditional aesthetic concepts and promoted the changes of modern Chinese aesthetic concepts.
作者
季少融
Ji Shaorong(China Academy of Art Shanghai Institute of Design,Shanghai 201203)
出处
《流行色》
2021年第2期106-108,共3页
Fashion Color
关键词
陈之佛
批判性思考
近代设计
图案色彩
Zhifo Chen
Critical thinking
Modern design
Pattern color
