摘要
山水作为陶瓷装饰中的一种形式出现,早在唐代长沙窑釉下彩绘时就已经出现,后来的宋代磁州窑、元代景德镇青花瓷以及明代民窑青花、甚至后来的清代文人山水粉彩以及青花山水都是作为一种绘画的形式出现。笔者尝试从陶瓷装饰中的山水形态出发,结合道法自然以及天人合一的中国传统审美思想,研究当下陶瓷装饰中的山水题材艺术作品。
As a form of ceramic decoration, landscape appeared as early as the Tang Dynasty when the Changsha kiln underglaze painting, later the Song Dynasty Cizhou kiln, the Yuan Dynasty Jingdezhen blue and white porcelain and Ming Dynasty folk kiln blue and white, and even later the Qing dynasty literati landscape pastel and blue and white landscape appeared as a form of painting. The author tries to start from the landscape form of ceramic decoration, combined with the traditional Chinese aesthetic thought of Tao following nature and the unity of heaven and man, to study the landscape art works in the current ceramic decoration.
作者
王伟杰
Wang Weijie(Jingdezhen traditional pastel Research Institute,Jingdezhen,333000)
出处
《陶瓷研究》
2021年第2期110-111,共2页
Ceramic Studies
关键词
陶瓷
装饰
山水
形态
ceramics
decoration
landscape
form
