摘要
“和”文化作为中国传统文化的重要组成部分,对增强家庭凝聚力、构建社会主义和谐社会有着重大的现实意义。电影《柔情史》《春潮》一改往日同类题材对家庭“和为贵”的追求、对母女关系认同和依恋的表达,通过敌对与撕裂来暴露母女代际相处的隐痛,体现了当代伦理观念的变迁和创作者对母女关系的深入思考。“伪自由”的女性生存状态因此浮出水面,只有在冲突又融合、对立又统一中,才有可能达到“和而不同”的境界。
“Harmony”culture,as an important part of Chinese traditional culture,has a great practical significance for enhancing family's cohesion and building a harmonious socialist society.The movies of Girls Always Happy and Spring Tide have changed the family's pursuit that“harmony is the most precious”,and the identity and attachment expression of mother-daughter relationship.In addition,they have reflected the changes of contemporary ethical concepts and deep thinking of the creator on mother-daughter relationship,which exposes the dull pain in the intergenerational mother and daughter relationship through hostility and tear.Therefore,the women's living condition of“pseudo freedom”has surfaced.Only in the conflict and integration as well as opposition and unity,can the state of“harmony without uniformity”be achieved.
作者
江婉琴
JIANG Wanqin(School of Cultural Communication, Huangshan University, Huangshan 245041, China)
出处
《长春大学学报》
2021年第5期62-65,共4页
Journal of Changchun University
基金
安徽省教育厅高校人文社会科学研究重点项目(SK2018A0379)。
关键词
“和”文化
女性
代际
隐痛
《柔情史》
《春潮》
“harmony”culture
women
intergenerational
dull pain
Girls Always Happy
Spring Tide
