摘要
作为上世纪80年代独树一帜的诗歌探索者,诗人海子将浪漫主义和古典主义杂糅,自成一套诗歌体系。海子的诗学资源来源广泛,或来自于自己的阅读,或来自于自己的民间生活体验,无论面对哪一种诗学资源,他在吸收转化时总有一种追根溯源、直逼本质的能力,除了这种诗人与生俱来的特质之外,许多诗学资源的转化与他当时的个人生活经历、与时代氛围也密切相关。本文将结合诗人的生活经历,梳理出存在主义、德国古典主义哲学、凡高与荷尔德林及东方民间文化在诗学思想方面对海子诗歌创作的影响。最后得出结论,海子在诗学资源的接受和转化过程中有一种横向扩大化和纵向延伸化的特点,直指本民族甚至是人类生存的本质。
As a unique poetry explorer in the 1980 s, Haizi, a poet, mixed romanticism and classicism to form his own poetry system. Haizi’s poetic resources come from a wide range of sources, either from his own reading or from his own experience of folk life. No matter what kind of poetic resources he faces, he always has the ability to trace the source and go straight to the essence when absorbing and transforming them. In addition to the inherent characteristics of the poet, the transformation of many poetic resources is also closely related to his personal life experience and the atmosphere of the times at that time relevant. Based on the poet’s life experience, this paper combs out the influence of existentialism, German classical philosophy, Van Gogh and Holderlin and eastern folk culture on Haizi’s poetry creation. In the end, it concludes that Haizi’s poetics resources have the characteristics of horizontal expansion and vertical extension in the process of acceptance and transformation, which directly refers to the essence of the nation and even human existence.
作者
马驰骋
MA Chicheng(School of Journalism and Communications,Northwest University of Political Science and Law,Xi'an Shanxi 710063,China)
出处
《吉林省教育学院学报》
2021年第4期172-175,共4页
Journal of Jilin Provincial Institute of Education
关键词
海子
诗学资源
极限
民间
Haizi
poetic resource
limit
folk
