摘要
“和合文化”是中华民族多元一体的精神内核。汉族民间衣裳作为中华民族传统文化的重要构成要素经历了不同历史时期的社会变革,在与少数民族服饰文化、装饰风格及审美理念等的交流中不断融合、发展与创新。其中既体现了多元共生格局下汉族民间上衣、下裳及其形制、装饰等艺术形式“和而不同”的历史变迁,亦表征出“美用合一”需求下汉族民间衣裳对少数民族及其他族群文化的借鉴融合。在多元一体的构建过程中,汉族民间衣裳通过融合与变迁实践下内部与外部因素的相互作用,展现了中华文明美用共生、多元一体的文化格局与艺术特性。
“Harmony culture”is the spiritual core of the pluralistic integration of the Chinese nation.As an important component of Chinese excellent traditional culture,Han folk clothing has experienced social changes in different historical periods,and has been constantly integrated,developed and innovated in the communication with ethnic costume culture,decoration style and aesthetic concept.This not only reflects the practical and aesthetic needs of the Han folk clothing for reference and fusion of ethnic minorities and other ethnic cultures,but also reflects the historical changes of Han folk top,lower garment and its shape,decoration and other art forms under the multi symbiotic pattern.In the process of the construction of pluralistic integration,the Han folk clothing through the interaction of internal and external factors under the practice of integration and change,finally formed the cultural pattern and artistic characteristics of Han folk clothing with aesthetic symbiosis and pluralistic integration.
作者
牛犁
崔荣荣
Niu Li;Cui Rong rong
出处
《河南社会科学》
CSSCI
北大核心
2021年第4期117-124,共8页
Henan Social Sciences
基金
国家社会科学基金青年项目“大运河江南流域明代服饰的艺术考古研究”(20CG183)。
关键词
中华民族
多元一体
民间衣裳
和合文化
Chinese Nation
Pluralism as a Whole
Folk Clothes
Harmony Culture
