摘要
罗兰·巴特作为学者一生有很多面孔,中前期的巴特在结构主义符号学上用力颇深,而中后期的巴特更多地关注书写、身体与欲望等问题。《符号帝国》作为巴特中期的重要文本,承载着巴特由日本文化符号而来的思考,在巴特看来,日本的符号中心空无、意义缺失,每一个符号都有待于被书写,在书写中身体与欲望的维度涌现出来。从符号学的反思到对书写的讨论,《符号帝国》可视为巴特前后期思想转折的过渡与中介。
Roland Barthes has many faces in his academic career.In the early middle period,Barthes exerted a lot of efforts in the structural semiotics.While in the late middle period,Barthes paid more attention to the topic of writing,body and desire.As an important text in the middle period of Barthes,Empire of Signs carries Barthes’thinking from Japanese culture.In Barthes’view,the center of Japanese symbols is empty and meaningless,and every symbol needs to be written.In the writing,the dimensions of body emerge.From the reflection of semiotics to the discussion of writing,Empire of Signs can be regarded as the transition and intermediary of Barthes’ideological turn.
作者
吴昊
WU Hao(College of Humanities,Nanchang University,Nanchang Jiangxi 330000,China)
出处
《成都理工大学学报（社会科学版）》
2021年第2期96-102,共7页
Journal of Chengdu University of Technology:Social Sciences
基金
江西省研究生创新专项“东方作为文本——罗兰·巴特论日本与中国”(YC2019-S039)。
