摘要
台湾乡土小说自日据时期便遵循"祛魅"的写实传统,直至21世纪前后,新世代小说家纷纷以"怪力乱神"来重塑"神魔乡土",于是,台湾乡土小说借助"返魅叙事"描绘出不一样的民间风俗、历史记忆与荒诞人生,突破了以往的乡土写作范式与价值选择。这种乡土创作的新风向已被两岸学者重视,然而他们大多只勾勒出返魅叙事的整体性特征,对其内部的差异性与社会文化根源缺乏深入的探讨。以伊格言、甘耀明与童伟格为中心来研究"乡土返魅"的峰回路转,旨在更好地发现台湾乡土小说世纪转型的契机、特质、困境以及趋势。
Under Japanese rule,the rural fiction of Taiwan followed the realist tradition of enchantment until around the 21 st century when the new-age fictionists used the weird,the powerful,the rebellious and the ghostly,four elements that Confucius was known to be against,to reshape the rural landscape of the sacred and monsterly.As a result,rural fiction of Taiwan,by re-enchanted narrative,has created unique folk customs,historical memory and absurd lives,breaking with the past patterns of rural writing and choice of values,a new direction that has been noted by scholars on both sides of the Taiwan Strait,although most of them have only delineated the totality of features of re-enchanted narrative without an in-depth exploration of its interior difference and socio-cultural roots,which is why this article is intended to study the twists and turns in the re-enchanted narrative based on Yige Yan,Gan Yao-ming and Weige Tong,for the purpose of finding,in a better way,about the opportunities,qualities,difficulties and trends in the end of century transformation of the rural fiction of Taiwan.
出处
《华文文学》
CSSCI
北大核心
2020年第5期33-39,共7页
Literatures in Chinese
基金
江苏高校哲学社会科学研究一般项目“文学期刊与1980年代以来的中国乡土小说研究”,项目编号:2020SJA0599。
关键词
新世纪
台湾乡土小说
返魅
伊格言
甘耀明
童伟格
The new century
rural fiction of Taiwan
re-enchantment
Yi Geyan
Gan Yao-ming
Weige Tong
