摘要
中西"文学自觉"现象分别发生于魏晋六朝时期与19世纪唯美主义思潮。传统价值观念激变、文化观念重组显露出生活的可能境遇和生命本真状态,"为艺术而艺术"是"为人生而人生"的自然延伸。"文学自觉"直接体现为"形式自觉",唯美主义诗学是西方客观论形式主义美学在19世纪的变体,而六朝诗学试图打破客观论美学的禁锢,两者殊途同归,推动中西文学形式的解放。"形式自觉"伴随着"情感自觉",中西文学的"情感自觉"沿着"自然—人体—人工"的审美对象演变轨迹,各自呈现为情感的"解放"与"隐退"之不同范式,从而产生群体本位的"感物"与个体本位的"恋物"的审美心理。
Chinese and Western "literary self-consciousness"occurred respectively in the Wei、Jin and Six Dynasties and the Aestheticism in the 19 th century. The radical change of traditional values and the reorganization of cultural concepts reveal the possible conditions of life and true state of life. "Art for art’s sake"is a natural extension of "life for life’s sake". "Literary self-consciousness" is directly reflected in "form self-consciousness ".Aestheticism poetics is a variation of Western objectivism’s formalist aesthetics in the 19 th century,w hile Six Dynasties poetics tried to break the shackles of objectivist aesthetics,both of them had the same w ay and promoted the liberation of literary forms. "Form selfconsciousness"is accompanied by "emotional consciousness ",w hich presents different paradigms of "liberation"and"retreat"of emotion along the evolution track of "nature —human body — artificial"aesthetic object,so as to produce the aesthetic psychology of the"Ganwu"( 感物) based on group and the"fetishism"based on individual culture.
作者
蒋承勇
马翔
Jiang Chengyong;Ma Xiang
出处
《中国比较文学》
CSSCI
北大核心
2021年第1期121-134,共14页
Comparative Literature in China
基金
国家社科基金重大项目“19世纪西方文学思潮研究”(编号:15ZDB086)的阶段性成果。
关键词
文学自觉
审美自觉
魏晋六朝
唯美主义
literary self-consciousness
aesthetic autonomy
Wei Jin and Six Dynasties
Aestheticism
