摘要
动画电影与实拍电影相比,在创作体验、制作模式以及表现形式等方面具有特殊性,导致动画电影在表演层面上常呈现出各种不足。然而当前的表演理论多为针对戏剧及实拍电影而言的,对动画师的表演指导有限。俄国戏剧理论家梅耶荷德的戏剧理论与动画表演的特殊性有较多的契合之处,正可以将其应用于动画师的表演训练。文章从梅耶荷德提出的表演主张、表演理念及其对戏剧本质的理解等方面出发,将其表演理论运用于动画表演的指导,以期能够为动画表演中“运动与情感”“表演与文本”的结合、凸显动画表演“抽象性”的特征带来新的思路和方法,从而提升动画师的表演技巧。
Animated films are considerably distinctive compared with live-action ones in certain areas like production experience,cinematography and expression form,leading to its various acting inadequacies.While the current acting theories are mostly based on dramas and live-action cinema,which are not for animators acting conduct.Fortunately,Meyerhold's dramatic theory is coincidentally catering to the distinctiveness of animation in certain domains,which can be applied in the training of animation performance.The paper applies Meyerhold's theatrical theories on animation from the aspects of acting proposition,philosophy and comprehension of drama essence,which would not only unite the perspectives of action and emotion,acting and context of animation performance,but also brings new methods of highlighting its features as abstractness that would optimistically improving the acting techniques of animators.
出处
《淮南师范学院学报》
2021年第1期120-125,共6页
Journal of Huainan Normal University
基金
合肥学院科研发展基金重点项目“以‘盲盒’形式推广本土传统文化策略研究”(20RW01ZDB)
合肥学院科研发展基金重点项目“‘智慧出行’语境下的合肥轨道APP功能优化与界面设计研究”(20RW02ZDB)
合肥学院质量工程重点项目“实践赋能、项目驱动—面向创新人才培养的动画专业教学综合改革研究与实践”(2019hfjyxm10)。
关键词
动画电影
动画表演
梅耶荷德戏剧理论
animated films
acting for animation
Meyerhold's theatrical theory
