摘要
将桥梁与建筑作为一个整体,基于桥梁工程技术发展与美学艺术变迁背景,遵从美学学科的本质属性,纵观近代桥梁工程发展以来360年桥梁美学思潮和审美意识变革历史,提出了将桥梁美学分为近代、现代和当代桥梁美学的理论划分体系和相应时段的美学内涵。梳理和构建桥梁美学理论体系,为当前交通建设和城市发展对桥梁美学的高品质新要求,以及桥梁美学的理论研究和专业教学,奠定理论基础,指导工程实践。
Taking the bridge and architecture as a whole,based on the background of the developmentof bridge engineering technology and the change of aesthetic art,and following the essential attribute ofaesthetic discipline,tin his paper,ageneral review of the 360years’history of bridge aesthetic thoughtsand aesthetic consciousness change is carried out since the development of modern bridge engineering,andit is put forward that the bridge aesthetics is divided into modern,modern and contemporary,and aestheticconnotation for each phase is proposed.Combing and constructing the theoretical system of bridgeaesthetics can lay a theoretical foundation and guide the engineering practice for the current high-qualitynew requirements of traffic construction and urban development for bridge aesthetics,as well as thetheoretical research and professional teaching of bridge aesthetics.
作者
徐利平
XU Li-ping(Department of Bridge Engineering,College of Civil Engineering,Tongji University,Shanghai 200092,China)
出处
《公路》
北大核心
2021年第3期78-84,共7页
Highway
关键词
桥梁美学
建筑美学
整体研究
理论体系
bridge aesthetics
architectural aesthetics
whole study
theoretical system
