摘要
随着《乘风破浪的姐姐》这一2020年现象级中年女性网络综艺节目的走红,大众视听节目中的女性形象呈现也受到广泛关注和普遍热议。“中女”综艺在价值导向上本着破除隐喻的初衷,却又走入建构隐喻的泥沼。以性别理论为中心,探寻“中女”综艺中的种种隐喻,得出以下结论:(1)“中女”当前所处的社会化大背景正符合人们对女权的追求,即第三波后现代女性主义阶段;(2)“中女”综艺中的女性形象建构仍未摆脱性别逻辑、年龄逻辑和资本逻辑的三重压制;(3)媒体机构在社会共识的形成方面发挥重大作用,其有责任促进形成更多元、立体的性别形象。
With the popularity of Older Sisters Who Brave the Winds and Waves,a phenomenal network variety show for middle-aged women in 2020,the representation of female images in audio-visual programs for the public has aroused wide concern and heated discussion.In terms of value orientation,while the net synthesis of“middle-aged women”was intended to break metaphors,it actually got stuck in the mire of constructing metaphors.Centering on the gender theory,this study explores various metaphors in the variety shows of“middle-aged women”and draws the following conclusions:1)The social background of“middle-aged women”is in line with people’s pursuit of feminism,that is,the third wave of postmodern feminism;2)The construction of female images in“middle-aged women”variety shows is still under the triple pressure of gender logic,age logic,and capital logic;3)Media organizations play an important role in the formation of social consensus and have the responsibility to promote the formation of more diverse and dimensional gender images.
作者
袁冬琪
周宇豪
张雨薇
Yuan Dongqi;Zhou Yuhao;Zhang Yuwei
出处
《河南社会科学》
CSSCI
北大核心
2021年第3期118-124,共7页
Henan Social Sciences
基金
2018年国家社会科学基金重大项目“马克思主义中国化百年传播话语体系变迁研究(1919-2018)”(18ZDA315)。
关键词
“中女”综艺
女性年龄
性别理论
隐喻
“Middle-aged Women”Variety Show
Female Age
Gender Theory
Metaphor
