摘要
中国传统绘画的构图,向来倡扬“临见妙裁”“经营位置”“置陈布势”,利用绘画语言来协调画面各构成要素之间的关系,以别具匠心的手法表达作者的创作动机、意图和审美追求。“势”作为中国古代书画理论的重要范畴,具有丰富多样的意蕴,非常切合中国传统绘画艺术在构图方面“化静为动”的表现特质。通过探讨“势”的内涵及与中国传统绘画构图之“物理”“画理”“心理”关系,亦有利于更好把握中国传统绘画的艺术精神。
The composition of traditional Chinese paintings has always advocated Showing the ingenious ideas and Composition layout or Disposition,using the language of painting to coordinate the relationship between the various elements of the picture,and express the creator's creation with unique ingenuity motivation,intention and aesthetic pursuit.As an important concept in the analysis of calligraphy and painting,Position is very suitable for the expression characteristics of traditional Chinese painting art of turning static into motion in terms of composition.By exploring the connotation of Position and the relationship between physics,painting theory and psychology with the composition of traditional Chinese painting,it is helpful to better grasp the artistic spirit of traditional Chinese painting.
作者
朱湘铭
ZHU Xiang-ming(Literature College of Gannan Normal University,Ganzhou 341000,China)
出处
《湖北师范大学学报（哲学社会科学版）》
2021年第2期42-49,共8页
Journal of Hubei Normal University（Philosophy and Social Science）
关键词
势
构图
物理
画理
Position
composition
physics
painting theory
