摘要
苏轼的文艺哲学上通文化哲学,下通作品意味,其“随物赋形”“物各有主”的变化多元哲学,是对老庄哲学和郭象哲学批判创造性改造的结果,形成了他“行云流水”的创作观、“诗词互换”的文体观、“物我互动”的天人观,从而体现出中国伟大作家文化哲学、人生哲学、文论思想、作品意味一体化的创造特性。但苏轼的自然性变化的生命观还没有注意到人的文化思想创造多元观,也没有注意到由“物各有主”向“人各有思”的创造性哲学思维的提升,因此我们同样需要通过批判创造性思维审视苏轼的文艺哲学,才能建立具有当代意义的中国文艺哲学和文化哲学。
Su Shi’s philosophy of literature and art is connected with the philosophy of culture upward and with the meaning of the works downward.His philosophy of multivariant changes represented by the notion of“presenting the forms of objects as they are”and“all things having their own masters”is the result of criticism and creative transformation of Lao-Zhuang’s philosophy and Guo Xiang’s philosophy.And thus,he developed his creation view of“free writing like scudding clouds and flowing water”,his style view of“interchange between poetry and ci”,and his heaven-man view characterized by the notion of“interaction between things and me”.Thereby,he embodied the creativity in integrating the philosophy of culture,the philosophy of life,the thought of literary theory,and the meaning and flavor of literary works as a great writer in ancient China.But Su Shi’s view of life with natural changes failed to take notice of the multi-view of creation of human cultural thoughts and did not concern the elevation of creative philosophical thinking from“all things having their own masters”to“all people having their own thoughts”.Therefore,we also need to examine Su Shi’s philosophy of literature and art through critical and creative thinking so as to establish the Chinese philosophy of literature and art and cultural philosophy of contemporary significance.
作者
蔡甜甜
CAI Tian-tian(School of Humanities, Shanghai University of Finance and Economics, Shanghai 200433, China)
出处
《湘潭大学学报（哲学社会科学版）》
CSSCI
北大核心
2021年第2期113-117,共5页
Journal of Xiangtan University:Philosophy And Social Sciences
关键词
苏轼哲学
随物赋形
物各有主
批判创造
当代审视
Su Shi’s philosophy
presenting the forms of objects as they are
all things having their own masters
critical creation
contemporary examination
