摘要
《文心雕龙·辨骚》是“文之枢纽”的结篇,其主旨在于通过辨析以屈原《离骚》为代表的楚辞是“取镕经义,亦自铸伟辞”之作,指摘前贤评析楚辞之不足,明辨后人学习楚辞的偏颇,提出“倚雅颂,驭楚篇”的创作准则。刘勰正是通过对楚辞的辨析与定位,借此对当时的文坛流弊予以规范,并探求文变的规律,同时也对魏晋时期的文学进行了反思。
Wen Xin Diao Long·Bian Sao is the conclusion of“the Hub of Literature”.By analyzing Chu Ci,work of“Qu Rong Jing Yi,Yi Zi Zhu Wei Ci”represented by Qu Yuan’s Li Sao,it criticizes the shortcomings of former evaluations,distinguishes the bias of later generations to learn Chu Ci,and puts forward the creation criterion of“Yi Ya Song,Yu Chu Pian”.Through the analysis and positioning of Chu Ci,Liu Xie standardizes the malpractices of the literary world at that time,explores the law of literary change and reflects on literature in Wei and Jin Dynasties.
作者
李金秋
LI Jinqiu(Editorial Department of Journal of Inner Mongolia Normal University, Hohhot 010022 ,China)
出处
《内蒙古师范大学学报（哲学社会科学版）》
2021年第1期98-103,共6页
Journal of Inner Mongolia Normal University：Philosophy and Social Sciences Edition
基金
国家社科基金重大项目“《文心雕龙》汇释及百年‘龙学’学案”(17ZD253)研究成果之一。
关键词
文心雕龙
辨骚
楚辞
依经立义
诗教
Wen Xin Diao Long
Bian Sao
Chu Ci
Yi Jing Li Yi
poetic education
