摘要
1949年以前,陈子奋是福州最重要的印人之一。溯源陈子奋于白描和意笔花鸟画的艺术成就和影响力,不难发现篆刻已成为其综合、融汇文字素养、线条笔力、鉴藏修养的创作来源。年谱编撰旨在还原陈子奋在1898—1949年间,于篆刻所做的努力与艺术日常,进而梳理其印学的思考演变,以及他欲将福州印风推向何方的努力。
Before 1949, CHEN Zifen was one of the most important printing people in Fuzhou. Trace back to the artistic achievements and influence of CHEN Zifen’s painting of flowers and birds with brushwork and brushwork, it is not difficult to find that seal engraving has become the source of his comprehensive, integrated writing quality, line and brush strength, as well as the cultivation of appreciation and collection. Based on this, the chronicle compilation aims to restore CHEN Zifen’s efforts and artistic routine in seal engraving during the period from 1898 to 1949, and then to review the evolution of his thinking on seal engraving, as well as his efforts to push the seal engraving style of Fuzhou.
作者
李永新
LI Yongxin(Department of Primary Education,Minjiang Teachers College,Fuzhou,Fujian,350000)
出处
《艺术生活》
2020年第3期63-70,共8页
Art & Life
基金
福州市社科课题“福州四百年篆刻史与闽都文化研究”,编号:2018FZB16。
关键词
陈子奋
篆刻
年表
CHEN Zifen
seal carving
chronology
