摘要
湘西苗族刺绣图案取材广泛,造型生动,富有浓厚的文化底蕴,并与简笔画有着异曲同工之妙。本文通过分析湘西苗族刺绣图案特征,总结湘西苗族刺绣图案创作规律,探索二者相融合的方法,并结合生活化教学的理念,从而解决了简笔画教学造型能力不突出、创编能力薄弱以及表现形式单一的问题。
The embroidery patterns of the Miao ethnic group in western Hunan are widely used,the shapes are vivid,and they are rich in cultural heritage.They are similar to the simple strokes.This article analyzes the characteristics of Miao embroidery patterns in western Hunan,summarizes the pattern creation rules of Miao embroidery in western Hunan,explores the method of fusion of the two,and combines the concept of lifeoriented teaching,so as to solve the problem of the lack of sculpting ability in simple stroke teaching,weak creative ability and expression forms Single question.
作者
左娅
Zuo Ya(Faculty of Art,Huaihua Teachers College,Huaihua,Hunan 418000)
出处
《流行色》
2020年第12期20-22,共3页
Fashion Color
基金
湖南省教育科研工作者协会课题成果(课题编号:XJKX18A101)。
关键词
湘西苗族刺绣图案
简笔画教学
Miao embroidery patterns in western Hunan
stick figure teaching
