摘要
对于诗词和文章的态度,朱熹始终遵循“文道一贯”的审美核心,是对周敦颐“文以载道”的突破和发展,对于诗文的价值与作用始终归于“言以明道”,其诗文评论从作者、作品主题、规范及诗文作品风格四个角度阐述,形成了朱子理学诗文评论的框架构建,他反对空洞主题,注重真实表达,其对诗文的理解和态度,突出了理学教化的根本目的,其诗文评论审美在传统文论中确有独特之处。
For the attitude to poetry and articles,Zhu Xi always adhered to the aesthetic core to pursue“the unification of literary and morality”,which acts as the breakthrough and development of Zhou Dunyi’s theory of“literature for conveying morality”.The value and role of poetry should be bound to“illuminate the morality”.His poetry criticisms were set forth from four perspectives:the author,the theme,the standard,and the literary style,forming the pillar of Zhu Xi’s Neo-Confucianism poetry criticism.He objected to the hollow theme and focused more on the true expression.His understanding and attitude to the poetry also highlighted the fundamental goal of the Neo-Confucianism indoctrination.His poetry criticism has unique features in traditional literary reviews indeed.
作者
邓维明
DENG Wei-ming(School of Arts and Design,Sanming University,Sanming 365004,Fujian,China)
出处
《合肥学院学报（综合版）》
2021年第1期28-33,39,共7页
Journal of Hefei University：Comprehensive ED
基金
2013福建省教育厅社科项目“朱熹理学思想审美范畴体系的当代价值研究”(JA13291S)
2016福建省教育厅“福建省高校新世纪优秀人才项目”(闽教科[2016]23号)
2015福建省社科规划项目“朱熹理学思想审美体系的话语建构及当代阐释研究”(FJ2015B174)资助。
关键词
朱熹
理学
诗文
审美
道德
Zhu Xi
Neo-Confucianism
poetry and article
aesthetics
morality
