摘要
笔者策展的"不可能的建筑"展(2019-2020)在4家位于日本不同地区的美术馆间巡展,观展人群涵盖了科幻、亚文化领域爱好者等非建筑学专业人士。本次展览诞生的契机源自因政治考量而在临建设施工前化为一纸空谈的扎哈·哈迪德中标日本新国立体育馆设计的方案。展览从20世纪初俄罗斯构成主义开始,到朱塞佩·特拉尼、建筑电讯派、矶崎新、丹尼尔·里伯斯金、雷姆·库哈斯等,介绍他们因各种缘故而未能建成的建筑项目。这是一些即便没有实现也对其后的建筑界产生了巨大影响的项目,应与建成建筑的历史共同纳入讨论,可称之为"另一部建筑史"。仅留存在图纸上的这些未建成建筑非常适合展览,因其不同于通常无法展示原件的建筑展,可以在现场展示最原始的资料。此外,在当代艺术中呈现的未建成项目,也因其思想的自由性而具有重要意义。
The exhibition"Impossible Architecture"(2019-2020)as curated by the author,travelled to four art museums across Japan,which was attended by fans of science fiction and other subcultures as well as nonarchitectural professionals.The idea of exhibition was derived from Zaha Hadid’s first place design in the competition of the New National Stadium of Japan,which was turned into a cancelled end before construction due to some political considerations.The exhibition begins with Russian Constructivism at the beginning of the 20 th century and moves on to Giuseppe Terragni,Archigram,Arata Isozaki,Daniel Libeskind and Rem Koolhaas,etc.,presenting their architecture projects unable to build for various reasons.These are projects that,even if they were unbuilt,have had a great impact on the field of architecture since then,and should be discussed with the history of the built projects to be called"another history of architecture".These unbuilt buildings,which are only on drawings,are ideal for exhibition because they can be presented on site with the original materials,unlike architectural exhibitions where physical objects cannot usually be shown.In another way,the unbuilt projects presented in contemporary art are also significant for their freedom of thought.
作者
五十岚太郎
潘奕(翻译)
Taro Igarashi;PAN Yi(Tohoku University)
出处
《世界建筑》
2021年第2期10-15,126,共7页
World Architecture
关键词
“不可能的建筑”展
未建成
建筑展
竞赛
扎哈·哈迪德
矶崎新
当代艺术
建筑史
"Impossible Architecture"
unbuilt
architectural exhibition
competition
Zaha Hadid
Arata Isozaki
contemporary art
history of architecture
