摘要
辽中京地区作为长城以北重要的汉人聚居区,这一地区的壁画墓主要集中在辽代武安州所在的敖汉旗和辽代兴中府所在的朝阳一带,这批材料内容丰富、绘制入微,引人注目,已有学者进行了有针对性的探讨,但是以服饰为视角的讨论还比较鲜见。本文拟以服饰为切入点,以辽墓壁画为载体,考察整个中京地区在服饰上的面貌特征、组合分期、社会属性,进而探析与契丹国国都毗邻的汉人聚居区的服饰融合情况。
Liaozhongjing area was as an important habitation to thenorth of the Great wall forHan people and the mural tombs in this areawere mainly concentrated in Aohan Banner,the site of Wu’an Zhou of Liao dynasty,and in Chaoyang area,the site of Xingzhong Fu of Liao dynasty.While themurals areeye-catching with rich content and exquisite drawing,much specialized study has been made butrarefrom the perspective of costumes.This paper intends to investigate the artistic features,developmental stages and social attributes of the costumes in Liaozhongjing area through the analysis of the costumes in the mural tombs of Liao dynasty,and to explore the costume integration in the Han habitation adjacent to the capital of the Khitan State.
作者
王春燕
WANG Chunyan(School of History and Culture,Inner Mongolia Normal University,Hohhott Inner Mongolia 010022,China)
出处
《内蒙古师范大学学报（哲学社会科学版）》
2020年第6期29-36,共8页
Journal of Inner Mongolia Normal University：Philosophy and Social Sciences Edition
基金
国家社科基金西部项目“草原丝绸之路视域下的契丹服饰研究”(18XKG006)研究成果之一。
关键词
辽中京地区壁画墓
民族性
等级性
文化融合
Mural tomb in Liaozhongjing area
ethnic characteristic
hierarchy
cultural integration
