摘要
1928年,17岁的郑君里考入南国艺术学院戏剧科,由于年岁尚小,他并没有像当时南国社文人那般由“文学”而“革命”再“文学”的经历,却也受到了田汉和整个南国艺术学院、南国社艺术氛围的深刻影响。他自然而然地接受了浪漫、唯美的纯艺术观念,而这也影响了他的诗歌和小说创作。可以看出,其诗歌和小说作品在诗境的生发、人物情绪的拿捏、故事的叙述、结构的建构等方面已经具备“蒙太奇意识”。此后,他和南国社文人一样,从唯美转向革命,继而从“化妆室”进入“摄影场”。
In 1928,Zheng Junli was admitted to the Drama Department of the Nanguo Art Academy at the age of 17.Due to his young age,he did not have the experience from“literature”to“revolution”and then to“literature”as the literati did in the Nanguo Society.However,he was also deeply influenced by the artistic atmosphere of Tian Han,Nanguo Society and Nanguo art Academy.He naturally accepted the idea of romance and aesthetic pure art,which also influenced his poetry and novel creation.It can be seen that his poems and novels have“montage consciousness”in the appearance of poetic situation,manipulation of characters'emotions,narrative of stories and construction of structures.Since then,he turned from aestheticism to revolutionary drama,from“dressing room”to“photography studio”,just like the writers in Nanguo Society.
出处
《励耘学刊》
2020年第2期205-225,M0013,共22页
基金
国家建设高水平大学公派研究生项目“宋代礼制与韩国礼制及文学的交融影响研究”,项目编号:201806190071
国家社科基金重点项目“宋代文学史料学研究”,项目编号:17AZW002。
关键词
郑君里
南国艺术学院
南国社
摩登社
Zheng Junli
Nanguo Art Academy
Nanguo Society
Modern Society
