摘要
通行《世说新语》校释本对“行像”一词存在各种混淆,采用美术史研究的视角可以解决文献学难题。戴逵创“挟纻法”佛像与中古佛教“行像”仪式的视觉方案关联密切,通过视觉方案辨析,戴逵“行像画”表现佛像的视觉动态,直观上以“行”字来描述,可见中古早期艺术认知的突破。判断戴逵画“行像”是再现现场,材料不足支持。
There are various kinds of confusion in the interpretation of the word"Xingxiang"in the revised edition of Shishuoxinyu,which can be solved from the perspective of art history research.Dai Kui's creation of"jiazhufa"is closely related to the visual scheme of the middle ancient Buddhist"Xing Xiang"ceremony.Through the analysis of the visual scheme,Dai Kui's"Xingxiang painting"shows the visual dynamic of the Buddha statue,and is described with the word"Xing"intuitively,which shows the breakthrough of early medieval art cognition.The view that Dai Kui's"Xingxiang"is a representation of the scene is not comprehensive.
出处
《南京艺术学院学报（美术与设计）》
CSSCI
北大核心
2020年第6期52-58,210,共8页
Journal of Nanjing Arts Institute:Fine Arts & Design
关键词
戴逵
“行像”画
文献脉络
视觉结构
Dai Kui
"Xing Xiang"painting
literature context
visual structure
