摘要
影视艺术作为一种直观的动像艺术,它和绘画天生具有某种亲缘关系。中国古代“绘事六法”中提倡的“气韵生动”同样是影视艺术的根本生命力之所在,经过一定改造后的“气韵生动”说,也可概括影视艺术的基本特性。在对中国古代画论和中西影视理论进行相关考察和比较的基础上,对中国传统的“气韵生动”说作了新的改造和界定,并用之对影视艺术的本体和特性作了新的阐发。
Being the visual action art,film and television art is related to the painting by nature.As one of the six methods of painting,vivid charm has been regarded as the vitality of film and television art,which contains the basic features of film and television art after reforming.Based on the analysis on the Chinese ancient painting theory and Chinese and Western theories of film and television art,the current study re-reformed and re-defined the concept of vivid charm and also proposed its influence on the film and television art.
作者
何天洋
HE Tian-yang(Guizhou Radio and TV Station,Guiyang,Guizhou,550002,China)
出处
《凯里学院学报》
2020年第5期81-86,共6页
Journal of Kaili University
关键词
绘事六法
气韵生动
影视艺术
生命
six methods of painting
vivid charm
film and television art
life
