摘要
刘志仁是陇东乡村中一个普通的民间艺人。1937年之前,其演出依附于乡村民俗活动,演出内容几乎与“政治话语”毫无关联。但1937年之后,刘志仁在陕甘宁边区政府的领导下对乡村社火的演出形式、内容和组织管理进行了大刀阔斧的改革,使其完全纳入官方管理和政治话语之中,并成为革命文艺的一个重要组成部分。通过对刘志仁的个案研究,剖析其由民间艺人转变为艺术工作者的个体生命轨迹,分析“政治话语”或“官方话语”能够下乡入户的某些内在关联。
Liu Zhiren was an ordinary folk artist in Longdong village.Before 1937,his performance was attached to rural folk activities,and the content of his performance was almost irrelevant to“political discourse”.But after 1937,under the leadership of the government of Shaanxi Gansu Ningxia border region,Liu Zhiren carried out a radical reform on the performance form,content and organization management of rural community fire,making it fully integrated into the official management and political discourse,and became an important part of revolutionary literature and art.Through the case study of Liu Zhiren,this paper analyzes the individual life track of Liu Zhiren from folk artist to art worker,and then reveals some internal relations between“political discourse”and“official discourse”that can go to the countryside.
作者
赵法发
ZHAO Fafa(College of Marxism, Nankai Unicersity, Tianjin 300350, China)
出处
《中州大学学报》
2020年第6期22-26,共5页
Journal of Zhongzhou University
基金
2020年度国家社会科学基金西部项目“陕甘宁边区日常生活研究”(20XZS024)。
关键词
刘志仁
社火改革
艺术工作者
Liu Zhiren
rural community fire
art workers
