摘要
柳亚子"捧角",历来争议较多。从柳亚子与伶人冯春航、陆子美的交往过程和细节看,柳亚子既有揄扬冯、陆新剧艺术,为其捧场的真诚,也有以冯党对抗贾党的政治意向,还有借哀情剧《血泪碑》浇心中块垒的主观意绪。柳亚子捧冯春航,起初未始没有狎昵之心,但逐渐超越了庸俗的捧角心态,终成新剧的积极支持者;捧陆子美,也有对新剧家的理解和同情。"捧角"客观上宣传了新剧,促进了新剧的"甲寅中兴"。
Liu Yazi’s praises for certain stage actors have always caused controrersy.His association with the actors,Feng Chunhang and Lu Zimei,reflects not only his appreciation of their New Play,but also his political intention to counter"the Jia Faction"with"the Feng Faction"and his wish to vent his distress by the tragedy of Monument of Blood and Tears.At first,Liu’s intention to praise Feng was not innocent,but he soon surpassed the vulgar culture of"actor praising"and became a real supporter of the New Play Movement.His praises for Lu Zimei also show his understanding and sympathy.Objectively,the"praises for stage actors"promoted the New Play and boosted its resurgence.
作者
周逢琴
ZHOU Fengqin(School of Literature and Art,Southwest University of Science and Technology,Mianyang,Sichuan 621010)
出处
《文化艺术研究》
CSSCI
2020年第4期35-41,共7页
Studies in Culture and Art
关键词
柳亚子
捧角
冯春航
陆子美
新剧
Liu Yazi
praise for stage actors
Feng Chunhang
Lu Zimei
New Play
