摘要
戏曲、说唱等中国传统舞台表演艺术积累了丰富的言语训练方法。当前我国演员台词教学体系在气息、发声、吐字等基础环节较好地传承了其精髓,然而,中国传统言语训练方法在速度节奏、语调表现、言语性格化、内心节奏外化、戏剧情感贯穿等相对深入的台词基本功方面,也具有重要的建构作用。同时,其"气乃情所至""以戏带功"的训练理念以及"从心所欲不逾矩""形式美与传情传神兼得"的审美追求亦能培植演员的整体创作观,帮助演员进入人物言语创造的审美佳境。
Traditional Chinese stage performing arts,such as Xiqu and folk arts of talking and singing,have accumulated a wealth of voice and speech training methods.The speech training in Chinese performing arts teaching at present have well inherited its essence in the basic aspects such as breathing,vocalization,and articulation.However,deeper researches are necessary to be done on the relatively tectonic level of the traditional Chinese speech training in terms of its methods for speed and cadence,rhythm and tone performance,speech characterization,externalization of internal rhythm,and dramatic emotions’cohesion and consistency.All of these also have a constructive importance.What’s more,the training concepts that"emotion leads to qi"and"play the character,not a technique",and the aesthetic pursuit of"following the heart without overstepping the rules"and that of"both beauty in form and expressiveness in emotion"can cultivate actors’overall creativity and enable them to achieve the aesthetic beauty with their characterized speech.
出处
《戏剧艺术》
CSSCI
北大核心
2020年第6期70-79,共10页
Theatre Arts
关键词
台词
基本功
演员训练
中国传统言语训练方法
建构
speaking skills
acting skills
actor training
traditional Chinese speech training methods
construction
