摘要
《周易》美学研究肇始于20世纪80年代,在这期间,其理论构架已初现雏形;20世纪90年代是其成型期,其间不但完形了《周易》美学研究之骨架,而且丰富了《周易》美学研究之血肉,从而使得此类研究达到了顶峰。21世纪头10年(2000-2009年)是其拓展期,这一时期之成果从广度以及横向联系上拓展了《周易》美学思想的应用和艺术影响力。21世纪10年代(2010-2019年)是其式微期,在创新度、深度和广度上无法与前三期同日而语。未来之研究应在祛魅之基础上发掘其“符号的神秘美、简单的科学美、占卦的游戏美、卦辞的象征美、内部体系的丰富美、标准答案的‘不在场’美”,以服务于当代“生活美学、心灵美学、和谐与美的社会”之理论构建。
The aesthetic study of Zhouyi began in the 1980s.In this embryonic period,its theoretical framework had begun to take shape;the 1990s was its formative period,which not only completed the framework of the aesthetic study,but also enriched the flesh and blood of the aesthetic study,thus making the research reach its peak.The first decade of the 21st century was its expansion period.During this period,the application and artistic influence of the aesthetic thought of the book had been expanded from the breadth and horizontal connection.The second decade of the 21st century has been its declining period,which can not be compared with the previous period in terms of innovation,depth and breadth.Based on disenchantment,future research should explore its“mysterious beauty of symbols,simple scientific beauty,game beauty of divination,symbolic beauty of hexagram,richness of internal system,”and absence beauty of standard answer,so as to serve the theoretical construction of contemporary“life aesthetics,spiritual aesthetics,harmonious and beautiful society”.
作者
万志全
WAN Zhiquan(School of Literature and Media,Hechi University,Hechi,Guangxi 546300,China)
出处
《河池学院学报》
2020年第5期116-121,共6页
Journal of Hechi University
关键词
《周易》美学研究
萌芽期
成型期
拓展期
式微期
the aesthetic research of Zhouyi
germination period
formation period
expansion period
decline period
