摘要
语言学转向以来,民族志对历史的文化书写意在避开殖民历史的丛林意志,转而向内探寻历史的文化结构与稳定的心性。其中,主体的身影、想象的能量、话语的回声与实践的号角开始浮出民族志理论实践的地平线。以此为背景所催生出的舞蹈民族志的历史化转向,在某种程度上既表达出对丢失了身体感知觉和日常身体经验之结构-功能主义书写之不满,又体现了对受制于意识形态掌控之宏大历史言说的隐蔽抵抗。为此,文章通过分析三个当代西方舞蹈民族志历史化转向之案例,探寻流行于当代学界中的有关合法性、传统性及本真性的时代文化命题和历史阐释路径。
Since the turn of linguistics,ethnographic cultural writing of history has aimed to avoid the jungle will of colonial history,and turn inwardly to explore the cultural structure and stable mind of history.Among them,the figure of subject,the energy of imagination,the echo of discourse and the call for practice begin to emerge from the horizon of ethnographic theory and practice.The historical turn of dance ethnography spawned from this background not only expresses dissatisfaction with the structure-functionalism writing which has lost the sense of body perception and daily body experience,but also reflects the implicit resistance to the grand historical discourse controlled by ideology.Therefore,the paper analyzes three cases of historical turn in contemporary Western dance ethnography,and explores contemporary cultural propositions and historical interpretation paths about legitimacy,tradition,and authenticity,which are popular in contemporary academic circles.
作者
刘柳
LIU Liu(School of Dance,Minzu University of China,Beijing 100081,China)
出处
《北京舞蹈学院学报》
CSSCI
2020年第4期37-43,共7页
Journal of Beijing Dance Academy
基金
2018年度国家社会科学基金艺术学青年项目“20世纪舞蹈人类学理论范式研究”(项目编号18CE182)阶段性成果。
关键词
舞蹈民族志
历史化转向
话语政治
历史事件
能动性
dance ethnography
historical turn
discourse politics
historical event
initiative
