摘要
记谱是民族音乐学研究中非常重要的基础性工作,本文通过对"记谱"(transcription)和"记谱法"(notation)的区别与联系,同时梳理国内外专家对民族音乐学记谱的研究,指出乐谱在进一步学习、研究音乐本体方面,依然起着不可替代的重要作用。能够准确传达所记音乐特定文化意义的乐谱,是每个民族音乐学者所共同追求的目标。
Transcription is a very important basic work in ethnomusicology research,this paper introduces differences and relation between(transcription)and(notation),at the same time,combs the domestic and foreign experts'research on national musicology transcription,points out that the music score in the further study,research on music ontology aspect still plays an irreplaceable important role.Music score that can accurately convey the specific cultural significance of the recorded music is the common goal pursued by every folk music scholar.
作者
黎海涛
吴婷
Li Haitao;Wu Ting(Xinjiang Arts University,Urumqi 830049)
出处
《新疆艺术学院学报》
2020年第4期43-49,共7页
Journal of Xinjiang Arts University
基金
新疆少数民族音乐与舞蹈研究中心招标课题《维吾尔<十二木卡姆>记谱研究》成果。
关键词
记谱
记谱法
民族音乐学
音乐本体
Transcription
Notion
Ethnomusicology Music
Ontology
