摘要
“风骨”作为重要的古文论范畴,其含义歧见迭出。“风骨”是对文章审美的整体诉求,强调完整性,但“风骨”同时具有多面性和复合性特质,应当允许从不同的角度阐释理解,尤其需要结合文本和具体的语境。“风骨”强调作家要关注社会现实,具有高尚的人格魅力;情与气偕,作品需要具备感人的张力;“风骨”是情感和力量的结合后形成的文章的整体精神风貌的显现,表现为“情显”与“辞精”两个方面。从建安风骨到盛唐兴象,“风骨”的含义随时代的变迁而相应变化,在一定程度上造成了多义性,但作为对文章最高风格要求的基本内涵没发生多大变化,则又体现了中国古代文论范畴的稳固性特征。
As an important category of ancient literary theory,the meaning of“Fenggu”falls out.“Fenggu”is the overall aesthetic appeal to the article,emphasizing integrity,but“Fenggu”,which has multilayer and complex characteristics at the same time,should be allowed to explain the understanding from different angles,especially the combination of the text and its specific context.“Fenggu”emphasizes that the writer should pay attention to social reality and bear noble personality;emotion and Qi work together to show touching tension;“Fenggu”is the manifestation of the overall spiritual style of the article formed after the combination of emotion and strength,which is manifested in two aspects:“emotion display”and“rhetoric essence”.From Jian’an Fenggu to the prosperous Tang Dynasty,the meaning of“Fenggu”changed through the times and caused polysemy to some extent.However,the basic connotation of the highest style requirement of the article has not changed much,which reflects the stability of the category of ancient Chinese literary theory.
作者
张兴田
ZHANG Xingtian(School of Humanities, Tarim university,Alaer Xinjiang 843300, China)
出处
《安徽广播电视大学学报》
2020年第4期76-81,共6页
Journal of Anhui Radio & TV University
基金
国家社科基金项目“中国传统优秀文化与社会治理研究”(项目编号:15BSH078)。
