摘要
中国女红博大精深,在几千年的历史积淀中,蕴藏了深刻的造物原理,即,在人化自然和自然人化的法则下,通过量才器使、物尽其用、材美工巧、文以载道等规律组织女红艺术。这些观念被审美主体吸收,并以女红客体形式得以实践。文章尝试从世界观、价值观、人生观、艺术观四个方面详细论述中国女红艺术的美学理想。
As accumulating in the past thousands of years,the Chinese needlecraft contains extensive knowledge and profound creation principle,that is,under the rule of humanized nature and natural humanization,the art of needlecraft is organized on the basis of material properties,best utilization,artful crafts with proper materials,and expressing the truth with words.These concepts are absorbed by the aesthetic subject and practiced in the form of needlecraft object.The aesthetic ideal of Chinese needlecraft art is expounded from four aspects in this paper,namely,world outlook,value outlook,life outlook and art outlook.
作者
刘亚平
Liu Yaping(Changsha Social Work College,Hu’nan Changsha 410004)
出处
《山东纺织经济》
2020年第9期18-21,共4页
Shandong Textile Economy
关键词
中国女红艺术
造物规律
审美理想
Chinese needlecraft art
creation principle
aesthetic ideal
