摘要
"表演"连用当不晚于清代出现,从其所支配对象的历时考察来看,与其匹配的对象多为情节、技艺、技巧等,其目的主要为供人观赏,强调的是给人视觉上的感知。而"唱歌"的目的则主要为供人欣赏,强调的是给人听觉上的感知,所以目的性要素的不相融是制约二者在语义上不能匹配的关键因素。且从优选论的角度来看,"表演"倾向于选择体词性成分充当宾语,而"唱歌"属于谓词性成分,所以句法成分的不兼容也是制约二者不能匹配的原因之一。从实际语例来看,"唱歌"与"表演"应该是一种并列关系而非支配关系。
The combination of "Biaoyan"(表演)occurred no later than Qing Dynasty.According to the diachronic investigation of its combination,most of the matched objects are plots,techniques and skills,etc.Its main purpose is to watch and its emphasis is on visual perception for people.But the main purpose of "Changge"(唱歌)is to enjoy and its emphasis is on auditory perception for people.Therefore,the incompatibility of teleological elements is the key factor that restricts the semantic incompatibility.From the perspective of optimality theory,"Biaoyan"(表演)tends to choose the substantive as its object,but "Changge"(唱歌)belongs to the predicate component,so the incompatibility of syntactic components is also one of the reasons that restrict the two from matching.From the perspective of practical use cases, "Changge"(唱歌)and "Biaoyan"(表演)should be a kind of co-ordinating relation rather than government relation.
作者
孙淑娟
SUN Shujuan(School of Humanities and Arts,Nanchang Institute of Technology,Nanchang 330099,China)
出处
《南昌工程学院学报》
CAS
2020年第5期74-78,共5页
Journal of Nanchang Institute of Technology
基金
江西省高校人文社会科学规划项目(YY18103)。
关键词
表演
支配对象
语义关联
优选性成分
历时考察
“Biaoyan”(表演)
dominating object
semantic association
optimality ingredients
diachronic investigation
