摘要
《地久天长》是王小帅自编自导的一部现实主义电影,该片依旧秉持着现实主义的人文关怀,关注着普通小人物真实的生存状况与情感状态,不同的是它的时间跨度之长、囊括的时间背景之多是王小帅导演前所未有的。影片聚焦三个家庭的悲欢离合,通过再现小人物在大时代中人生境遇,奏出了一曲可歌可泣的生命赞歌。因此,本文将立足王小帅一贯的导演风格,从符号学、精神分析、女性主义等理论来解读影片《地久天长》,以探讨时代变革与发展的浪潮中那些蓬勃而又旺盛的生命力。
"So Long,My Son"is a realistic film written and directed by Wang Xiaoshuai,which still adheres to the realistic humanistic concern and pays attention to the real living condition and emotional state of ordinary small potatoes. The difference is that its long time span and time background are unprecedented for director Wang Xiaoshuai. The film focuses on the joys and sorrows of the three families,and plays a hymn of life by reproducing the life circumstances of small potatoes in the big era. Therefore,based on Wang Xiaoshuai’s consistent directing style,this paper will interpret the film"‘So Long,My Son’"from the theories of semiotics,psychoanalysis and feminism,in order to explore the vigorous and exuberant vitality in the tide of the change and development of the times.
作者
崔福凯
CUI Fu-kai(School of Media,Shandong University of the Arts,Jinan 250300.China)
出处
《湖北工业职业技术学院学报》
2020年第4期76-78,共3页
Journal of Hubei Industrial Polytechnic
关键词
地久天长
王小帅
精神阉割
女性意识
身份建构
So Long
My Son
Wang Xiaoshuai
mental castration
female consciousness
identity construction
