摘要
《嘉年华》作为一部现实主义题材的女性电影,呈现出鲜有的冷静、克制的影像风格,堪称里程碑式的作品。影片以女性视角,运用大量隐喻,使游乐场既成为精神的乌托邦,又成为罪恶的发生源,呈现了女性主义视域下的景观社会。为尝试改变男权中心主义逻辑下的男女性别二元对立的不平等,影片试图对女性的主体身份进行建构,以表达对男权政治与性别歧视的批判。然而,以男性、父母与社会的"缺席"来建构"他者镜像"中的女性,只不过是女性导演对"女性的想象"而已。
A feminist movie with a realistic theme,Carnival is a landmark with cold and reserved visual that narrates a feminist story with many metaphors.The playground in the movie is not only a spiritual utopia but also the soil of evil,a symbol of the landscape society from a feminist perspective.To charge the reality of the binary opposition between men and women stemmed from phallocentrism,the movie tries to construct female identity and criticize patriarchy and sexism,yet a female identity mirrored in the Other,built on the absence of the male,parents,and society,is but an imagination by women and for women.
作者
董广
DONG Guang(School of Liberal Arts,Southwest Jiaotong University,Chengdu,Sichuan 610031;School of Liberal Arts,Chongqin Normal University,Chongqin 401331)
出处
《文化艺术研究》
CSSCI
2020年第3期125-131,共7页
Studies in Culture and Art
